What are your career plans? Have you secured an internship? What’s the pay scale for graduates in that major? All important questions, but just as important are things like music, the arts, thinking critically, and expanding your horizons by studying subjects unrelated to your chosen vocation.
I was reminded of these broader concerns when I recently attended a concert of the Symphonic Winds at the University of Minnesota-Morris — a hidden public education gem in the middle of the Minnesota prairie. The ensemble is full of college students pursuing various courses of studies — science, social science, education, and, of course, music. Our world is increasingly interdisciplinary in its issues, and the liberal arts are critical to creating the problem-solvers of tomorrow.
“Education is not the learning of facts, but the training of the mind to think.”
~ Albert Einstein
“I would teach children music, physics, and philosophy; but most importantly music, for the patterns in music and all the arts are the keys to learning.”
Take a moment to appreciate and support music and the arts, and the richness it adds to your life.
I suspect that many voters supporting the levy referendum last November may have voted differently if they had known cuts in critical programming were still going to occur. The community entrusted our District with a 5-year funding commitment, including a higher-tier levy in order to:
Help reduce class size at all levels
Provide additional strategies to increase student achievement and reduce the achievement gap
Allow investment in innovative science curriculum
The School Board recently took the unusual step of locking in compensation increases and benefits for the next two contract cycles; hopefully, some of the additional resources provided through the generous levy vote also will be allocated in a way that allows for restoring opportunities cut in recent years.
For example, in middle school, we began to see some erosion of programs that are important for helping develop the creative critical-thinkers of the future, ones who will not only help our local community thrive, but who also will have the ability to compete in a global arena. First, advanced English programs were cut. And then, more recently, while the language class opportunity was retained when class periods were reduced, it was at the expense of music, pitting the two offerings against each other and forcing students to choose one or the other. This competing course conflict has devastated our music programs at the middle school level, and inevitably will weaken the music arts opportunities at the secondary level, if allowed to continue. The recent newspaper article entitled “Strained Duluth Schools Sing the Blues Over Music Cuts” confirms the damage being done by these budget decisions.
So, why should you care if students do not have as many opportunities for music or rigorous course offerings? Much emphasis is placed on closing the achievement gap. It is a worthy goal, indeed, but one that is not well-served by the decisions to cut the arts and advanced course offerings. In fact, cuts such as these are counterproductive to the success of both lower-achieving and higher-achieving students.
The VH1 “Save the Music Foundation” cites many facts and studies that illustrate the importance of funding and/or restoring our public schools music programs; just a few of their insights are noted below:
Students consistently involved in orchestra or band during their middle and high school years performed better in math at grade 12. The results were even more pronounced when comparing students from low-income families. Those who were involved in orchestra or band were more than twice as likely to perform at the highest levels in math as their peers who were not involved in music.
— From Catterall, James S., Richard Chapleau, and John Iwanaga (2002), “Involvement in the Arts and Human Development: Extending an Analysis of General Associations and Introducing the Special Cases of Intensive Involvement in Music and Theatre Arts.” In R. Deasy (Ed.), Critical Links: Learning in the Arts and Student Achievement and Social Development, Washington, DC: AEP
Students at risk of not successfully completing their high school educations cite their participation in the arts as reasons for staying in school. Factors related to the arts that positively affected the motivation of these students included a supportive environment that promotes constructive acceptance of criticism and one where it is safe to take risks.
— From The Role of the Fine and Performing Arts in High School Dropout Prevention, 2002; Barry, N., J. Taylor, and K. Walls
Of course, both the fundamentals and the more creative fields are crucial to our economic success. The basics are not enough, though. What we really need in order to prepare our children for the creative economy is a comprehensive education, something that takes them from aesthetics to algebra without pretending that the two are mutually exclusive. We need to see to it that, from an early age, our entire population is encouraged to develop its people skills with its multiplication tables and its creative and entrepreneurial potential with its reading abilities.
— From The Flight of the Creative Class: The New Global Competition for Talent, 2005; Richard Florida
Results From The Elementary School Study prove that:
• Students in top-quality music programs scored 22% better in English and 20% better in mathematics than students in deficient music programs.
• These academic differences were fairly consistent across geographic regions.
• Students at the four elementary schools with high-quality music programs scored better than students participating in programs considered to be of lower quality.
Results From The Middle Schools Study
• Students in top-quality instrumental programs scored 19% higher in English than students in schools without a music program, and 32% higher in English than students in a deficient choral program.
• Students in top-quality instrumental programs scored 17% higher in mathematics than children in schools without a music program, and 33% higher in mathematics than students in a deficient choral program.
• Students at schools with excellent music programs had higher English test scores across the country than students in schools with low-quality music programs; this was also true when considering mathematics.
• Students in all regions with lower-quality instrumental programs scored higher in English and mathematics than students who had no music at all.
— Journal for Research in Music Education, June 2007; Dr. Christopher Johnson, Jenny Memmot
Learning in the arts nurtures motivation, including active engagement, disciplined and sustained attention, persistence and risk taking. It also increases attendance and educational aspirations.
— From Critical Links: Learning in the Arts and Student Academic and Social Development, Arts Education Partnership, 2002
To see not only a continued deficit in support for music programming in the schools, but also diminished advanced coursework offerings in the years critical to preparing for post-secondary success, is alarming, particularly following the increased investment we just voted on as a community. For top students, having a full array of challenging offerings is absolutely essential for admission at competitive schools and consideration for top scholarships. The “rigor of coursework” is always one of the most important criteria discussed for these opportunities.
In the DNT article, Principal Sconiers confirmed that Denfeld High School (one of two high schools in the community) is cutting Spanish 5 next year, and will not restore AP World History. Practically speaking, AP courses are important, along with CITS (College in the Schools) courses, to provide an opportunity for high school students to potentially earn college credit. Given the astronomical cost of college these days, any chance to make a post-secondary education more affordable is of great importance to all families. The beauty of the AP and CITS offerings is that our high school students are still able to fully engage as part of their high school community while pursuing these rigorous, often college-level offerings.
What is really alarming about the article discussing the cut in course offerings like Spanish 5 and AP World History, though, is the statement that “it boils down to the fact she cannot afford to allocate teaching staff to courses that reach niche audiences.” Niche audiences?? Is the niche audience comprised of those students desiring to challenge themselves to the highest level, and present a resume that is competitive in the eyes of prospective employers, colleges, and scholarship committees? If our public schools’ idea of closing the achievement gap is removing some of the higher-achieving opportunities and lowering the ceiling for achievement, then I question whether the District is truly seeking to increase student achievement as expressed in the school levy goals.
Increasing student achievement should encompass all students, by helping them reach their potential and access opportunities to do so. It is not easy, but it does not mean it should not be done — and the community allocated these additional resources for such an investment. The vibrancy of our public schools, and our community at large, depends on it.
The annual high school holiday concert, featuring every single musical ensemble in the school, is a wonderful reflection of community.
Community is found in the audience — parents and grandparents, neighbors and friends. More importantly, an incredible community is found on stage — not only are these students musicians, but they are found in athletics, academics, art, speech, robotics, and more. Music is a common language that transcends boundaries.
“When words leave off, music begins.” ~ Heinrich Heine
Performances like these remind us of the importance of music and arts in our schools, and the critical role our public schools play in our communities.
Ciao! ~ Kat
This post was in response to the Daily Post’s Weekly Photo Challenge. ”Community” was this week’s theme. Everyone is welcome to join in the Challenge; further details on how to participate and links to others’ responses are found here.
The French horn is an instrument with curves! What rich sound can be teased from those long, winding tubes of brass — and oh, how the sound does carry above the rest of the symphony if a note is missed!
Acknowledgements: Appreciation and thanks go to my son’s French horn which was the patient subject for the impromptu lunch hour photo shoot, inspired by this week’s challenge theme.
Ciao! ~ Kat
This post was in response to the Daily Post’s Weekly Photo Challenge. ”Curves” was this week’s theme. Everyone is welcome to join in the Challenge; further details on how to participate and links to others’ responses are found here.
“After silence, that which comes nearest to expressing the inexpressible is music.” ~ Aldous Huxley
Music has always held a special place in my heart, filling me with emotion and triggering memories like nothing else can do. Perhaps that is why one of my favorite experiences from our trip to Paris was attending a chamber music concert of the Eiffel Orchestra at La Sainte-Chapelle. The concert gave me the privilege of sitting in the stunning beauty of La Sainte-Chapelle’s surroundings, soaking in the incredible detail of her famed stained-glass windows while letting the music fill my soul (and the sanctuary) with pieces of Vivaldi, Bach and other classics heard innumerable times, but never sounding quite as lovely as they did in that setting.
“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” ~ Plato
I invite you to listen to an excerpt of Vivaldi’s “Four Seasons” in the YouTube video below while viewing the gallery slideshow of photos I took before the evening’s performance began. The La Sainte-Chapelle concert excerpt is from “alisabeaut” on YouTube. The featured violinist, Karen Brunon, was one of the violin soloists playing with the Eiffel Orchestra the evening we saw them perform, as well:
La Sainte-Chapelle was Louis IX’s “Holy Chapel” constructed in the 1200’s. The structure consists of a Lower Chapel and Upper Chapel. We did not have a chance to tour the Lower Chapel during our visit. Of the 15 stained glass windows in the Upper Chapel, where the concert took place, two-thirds are original to the structure. The windows portray over 1,100 figures from the Bible. During World War II, the extensive stained glass windows were all removed from the building in anticipation of the German invasion of Paris, and then reinstalled upon the conclusion of the war.
A lovely summer evening in Paris, as the sun filtered through magnificent works of art, and timeless music was performed . . . the experience was wonderfully overwhelming, and I could feel every one of my senses trying to absorb as much as possible to remember that hour of perfection for years to come.
Music washes away from the soul the dust of everyday life. ~ Berthold Auerbach
You can view the photos as a group or click on any of them individually to view as a slideshow.
Sainte-Chapelle’s gothic exterior.
A glimpse of her beauty.
Awe-inspiring concert venue.
The view looking up from my seat.
The 15th century rose window.
An hour to sit and absorb this beauty.
One of the twelve apostles statues.
Endless stained glass.
Over 1,100 Biblical figures.
Magical light and music.
Eiffel Orchestra performers.
Exiting the Palais de Justice gates.
If you have the opportunity to attend a concert, try to purchase tickets for a performance time when there is still sunlight, to fully enjoy the stained glass details.
Arrive early (recommend 30 minutes+), even if you have pre-purchased tickets, as the line moves slowly.
CD’s of the group performing that evening may be sold after the concert (the Eiffel Orchestra’s CD included most of the pieces they played during the performance we attended), so allow time for purchase and autographs by the artists, if you are interested.
Ciao! ~ Kat
References for historical facts noted above and ticket link for La Sainte-Chapelle concerts: